Brother Love's Traveling Salvation Show/ A Modern Day Version of Love

It's interesting to note that this authentic-sounding Southern Soul number was produced by the legendary team from American Studios in Memphis, including Chips Moman.

Moman was one of the most significant writer/producers of the 1960s, starting with Stax Studios and then forming American Studios later on. Among the soul artists ? nearly all from the South ? he produced or co-produced/engineered were:\r\n

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• William Bell ("You Don't Miss Your Water")\r\n
• James & Bobby Purify ("Shake A Tail Feather")\r\n
• Joe Simon ("(You Keep Me) Hangin' On", "No Sad Songs")\r\n
• Bobby Womack ("What Is This," "More Than I Can Stand")\r\n
• King Curtis ("Foot Pattin'")\r\n
• Jamo Thomas ("Bahama Mama"), and\r\n
• Oscar Toney, Jr. ("For Your Precious Love")\r\n

His other contributions to soul music was as a songwriter, usually with fellow, and equally legendary Memphian Dan Penn. Three of his credits are in Dave Marsh's list of the 1,001 greatest singles of Rock 'n' Soul:\r\n

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• "The Dark End of the Street" (James Carr)\r\n
• "Do Right Woman-Do Right Man" (Aretha Franklin), and\r\n
• "Making Love (At The Dark End of the Street" (Clarence Carter)\r\n

His work at American Studios became a signature, clean sound with a washing of soul. Among the artists he produced heavily are:\r\n

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• Box Tops\r\n
• Sandy Posey\r\n
• B.J. Thomas\r\n
• The Gentrys, and\r\n
• Merrilee Rush\r\n

"Brother Love" was the only single he produced for Neil Diamond.\r\n