Here's a beautiful Mint copy of one of Diamond's most loved classics... one of the nicest I've yet offered in the store! FYI, the single is slightly shorter than the 3:27 album track. Note: This copy comes in a vintage Uni Records factory sleeve. It has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).
It's interesting to note that this authentic-sounding Southern Soul number was produced by the legendary team from American Studios in Memphis, including Chips Moman. Moman was one of the most significant writer/producers of the 1960s, starting with Stax Studios and then forming American Studios later on. Among the soul artistsâ€â€nearly all from the Southâ€â€the produced or co-produced/engineered were:\r\n
\r\n- William Bell ("You Don't Miss Your Water")\r\n
- James & Bobby Purify ("Shake A Tail Feather")\r\n
- Joe Simon ("(You Keep Me) Hangin' On", "No Sad Songs")\r\n
- Bobby Womack ("What Is This," "More Than I Can Stand")\r\n
- King Curtis ("Foot Pattin'")\r\n
- Jamo Thomas ("Bahama Mama"), and\r\n
- Oscar Toney, Jr. ("For Your Precious Love")\r\n
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His other contributions to soul music was as a songwriter, usually with fellow, and equally legendary Memphian Dan Penn. Three of his credits are in Dave Marsh's list of the 1,001 greatest singles of Rock 'n' Soul:\r\n
\r\n- "The Dark End of the Street" (James Carr)\r\n
- "Do Right Woman-Do Right Man" (Aretha Franklin), and\r\n
- "Making Love (At The Dark End of the Street" (Clarence Carter)\r\n
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His work at American Studios became a signature, clean sound with a washing of soul. Among the artists he produced heavily are:\r\n
\r\n- Box Tops\r\n
- Sandy Posey\r\n
- B.J. Thomas\r\n
- The Gentrys, and\r\n
- Merrilee Rush\r\n
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"Brother Love" was the only single he produced for Neil Diamond.\r\n